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Latin American female writers 'get literary place they deserve' in new collection [02 Jan 2020|06:45am]

Project in Mexico to reprint books highlighting works of ‘great literary value’

Tita Valencia’s first novel, Minotaur Fighting, was inspired by the end of a love affair.

Intimate, raw, and experimental, the 1976 book won Valencia the Xavier Villarrutia prize – the most prestigious award in Mexican literature. It also won her deep disapproval from the country’s male literati.

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Such a Fun Age by Kiley Reid review – an essential new talent [02 Jan 2020|07:30am]
A thrilling millennial take on the 19th-century novel of manners investigates race, friendship and privilege

US author Kiley Reid offers a refreshing take on an age-old question: can we connect across barriers of race, gender, wealth and privilege? Emira Tucker, who works in Philadelphia as a babysitter for news anchor Peter and lifestyle guru Alix, takes their toddler, Briar, to an upscale supermarket where suspicions are stirred because she is black and the child is white. The security guard accuses her of kidnapping, and is only appeased when Emira calls Peter. (Peter is “an old white guy”, she declares, “so I’m sure everyone will feel better”.) A lesser novel would have lingered here, in territory that’s painfully familiar from countless viral incidents. But in Reid’s debut the incident heralds a caustically funny skewering of the sort of well-intentioned liberal who congratulates themselves on having black guests at dinner.

The story toggles between Emira, offbeat, aimless and fresh out of college, and Alix, wealthy overseer of a woman-centric brand built on her knack for getting free merchandise by writing letters. Alix and Peter’s house gets egged after Peter blunders into a mortifying episode of on-air racism – while covering the story of a black boy inviting a white girl to prom, he blurts: “Let’s hope that last one asked her father first.” In the wake of her husband’s racist faux pas, Alix resolves to befriend her black babysitter: “to wake the fuck up … To get to know Emira Tucker.” This desire intensifies until it begins to seem like a kind of neurosis, leaving her in thrall to feelings that aren’t “completely unlike a crush”. She spies on the lock screen of Emira’s phone (“always filled with information that was youthful, revealing, and completely addicting”), traps her at the kitchen table for awkward chats and begs her to join the family for Thanksgiving, with disastrous results.

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Confession With Blue Horses by Sophie Hardach review – behind the Berlin Wall [02 Jan 2020|09:00am]
Fragments of a childhood are pieced together in this moving depiction of a family’s struggle, shortlisted for the Costa novel award

Sophie Hardach’s thought-provoking third novel is one of four books shortlisted for the 2019 Costa novel award, to be announced next week . Born a decade before reunification, Hardach grew up near Frankfurt in West Germany; her book focuses on a family living on the other side of the border, in the GDR.

Now settled in London, adult siblings Ella and Tobi Valentin seldom talk of their childhood in East Berlin. While both have vivid and disturbing memories of their family’s failed attempt to flee across the Hungarian border into Austria in 1987, they know very little of their mother’s subsequent imprisonment and nothing at all about the fate of their baby brother Heiko, who was taken away by the authorities and never seen again. When their mother dies, leaving behind some tantalising scraps of information, Ella returns to Berlin, hoping to find answers.

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The Reality Bubble by Ziya Tong review – blind spots and hidden truths [02 Jan 2020|11:58am]

A lively book about what we don’t, or refuse to, see – and the destructive consequences

Publishing functions very much like the fashion world. Like a suddenly ubiquitous cut of hem or style of trainer, a book comes along every few seasons that hits a nerve, sells well, and spawns a whole host of knock-offs and lookalikes.

Following the huge success of Yuval Noah Harari’s Sapiens, I was afraid that science writer Ziya Tong’s The Reality Bubble might be one of the Sapiens copies – an anthology of interesting facts about the human race that one can quote to friends. A few pages in, her book seems to be just that; it makes some mildly entertaining but not revelatory points about human blindspots, both physical (in the eye), and societal (refusing to believe that the Earth is round). Its premise is only briefly explained, with a worthy quote from Carl Sagan that “our species needs, and deserves, a citizenry with minds wide awake and a basic understanding of how the world works”.

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MC Beaton, multimillion-selling author of Agatha Raisin novels, dies aged 83 [02 Jan 2020|12:45pm]

Scottish writer, who also created detective Hamish Macbeth, did not take kindly to her ‘cosy crime’ reputation

MC Beaton, the prolific creator of the much loved fictional detectives Agatha Raisin and Hamish Macbeth, has died after a short illness at the age of 83.

The news of her death on 30 December was announced by her son, Charles Gibbons, who said that “the support of her fans and the success she enjoyed in her later years were a source of great pride and satisfaction to her, and for that I will be eternally grateful”.

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Meaty by Samantha Irby review – scatological essays [02 Jan 2020|02:01pm]

Outspoken and defiant musings on dating, renting, running out of money – and caring for a parent

To call Samantha Irby’s book scatological would be an understatement. This is a book about assholes – yes, the kind who cheats on you, or never calls, or is “a grown man with a college degree who told me that he only ate angel-hair pasta” – but most of all it is a book about Irby’s bowels and how they ruin her life. Meaty is – like Irby’s blog, bitchesgottaeat – an episodic collection of diaries, memories and views on life with no narrative beginning, middle or end. It’s in the tradition of Helen Fielding and Candace Bushnell, certainly, but this rackety life of dating, renting and running out of money is heavily overshadowed by Irby’s Crohn’s disease, and is set in the social media age. Irby will tell you how to cook an inflammatory bowel disease-friendly frittata, while hungover, for a date who has woken up in your apartment, and how to Instagram it, too. Or inform the reader that Martha Stewart “calls for fresh squeezed” orange juice “but, like, LOLWAT”.

The tone, like that of many successful bloggers and YouTubers, is immediate, seemingly unedited and wilfully oversharing: “I suck my thumb when I masturbate,” she writes, defiantly. It’s also very sweary. Many chapters open with a blunt statement, some more profound than others: “When I was 19 I lived in a fucking crack house”; “I was still a kid when I first figured out that I am ugly.” She skims over the story of her alcoholic father, and of being homeless twice, but writes a heartbreaking chapter about being a carer for her mother, who had multiple sclerosis and dementia and left Irby an orphan in her teens.

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