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Samantha Harvey on her year without sleep – books podcast [14 Jan 2020|06:00am]

On this week’s show, Richard sits down with Samantha Harvey. After four finely-crafted novels including The Western Wind (2018), Harvey suddenly found herself unable to sleep. Not sleeping badly, or sleeping a bit, but not sleeping at all. Her response is a restless, urgent memoir of the year she spent not sleeping: The Shapeless Unease.

And Sian, Claire and Richard celebrate the news that independent bookshops are on the rise again in the UK and Ireland, after 20 years of decline. They speak to Nic Bottomley, who runs the famous Mr Bs Emporium of Reading Delights in Bath.

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The Shapeless Unease by Samantha Harvey review – a good night’s sleep? In her dreams [14 Jan 2020|07:00am]

The novelist’s examination of her year-long struggle with insomnia is poetic and inventive

Insomnia is the long night’s journey into day, where the repetitive cycles of sleep are reduced to a single, unending interlude that can go on and on – in the case of novelist Samantha Harvey, for 40 or 50 excruciating hours.

In a 2018 online essay, which appears to have served as a taster for her new memoir, The Shapeless Unease, she likens sleeplessness to the kind of reflective postmortem that follows the end of a relationship. “What did I do to make it leave? What can I do to get it back?”

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Young adult books round-up – review [14 Jan 2020|09:00am]

Two big hitters head up a list crackling with magic, teen survival and the evils of social media

The new year kicks off with sequels from two of the biggest names in young adult fiction. Nigerian-American Tomi Adeyemi is rumoured to have earned a seven-figure advance for her 2018 fantasy epic Children of Blood and Bone; a film deal with Fox and a New York Times No 1 swiftly followed. In Children of Virtue and Vengeance (Pan Macmillan), the ritual that succeeded in returning magic to the land of Orisha has proved stronger than imagined, reigniting the powers of not only the maji, but of their enemies too. The series will be a trilogy, and if, at times, that middle book feeling weighs down events, Adeyemi’s consummate world-building remains a star turn, while the political shifts and prejudices reflect contemporary struggles.

Given that her high-school-based murder mysteries read like bingeworthy Netflix dramas, it’s easy to see why queen of teen crime Karen McManus is a bestseller on both sides of the Atlantic. In One of Us Is Next (Penguin) she returns to Bayview High, the scene of the crime in her debut, One of Us Is Lying. This time a deadly game of truth or dare is the hook, fuelled by anonymous text messages that threaten to reveal closely guarded secrets. Multiple narrators and compelling family dramas add depth to the addictive storytelling.

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'Why would I close the door to a queer person?' LGBTQ fantasy comes of age [14 Jan 2020|12:01pm]

Futuristic and fantastic fiction has long remained stuck in the past when it comes to sexuality. But a new generation is catching up

We hunger for happiness in queer stories. Many critically acclaimed novels about LGBTQ life have explored and challenged homophobia: James Baldwin’s Giovanni’s Room, Alice Walker’s The Color Purple, and Alan Hollinghurst’s The Swimming-Pool Library are all classics, with more recent examples including 2019’s On Earth We’re Briefly Gorgeous by Ocean Vuong and I Wish You All the Best by Mason Deaver. There are moments of joy in all of these books, but undeniably queerness is paired with homophobia. Now, though, a new spate of science-fiction and fantasy novels are quietly and gracefully opting instead to imagine worlds where homophobia does not exist.

Fantasy’s default mode still tends to be a faux-medieval past matched with archaic sexual and social codes, while sci-fi authors often imagine brave new worlds where a man will happily have sex with an alien, but not another man. However, many writers are solving one of the largest blocks for queer romance by simply doing away with homophobia in their fictional universes. In 2019 alone, we had Ann Leckie’s The Raven Tower, with a trans protagonist whose trans-ness is interrogated as important but not other; Tamsyn Muir’s Gideon the Ninth, starring the best cast of lesbians the world has ever seen; Arkady Martine’s A Memory Called Empire, which makes space in its epic sci-fi plot for a romance between two women; and Jennifer Giesbrecht’s The Monster of Elendhaven, in which the central gay couple break every norm – except their universe’s rules on sexuality, because there aren’t any.

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Half of a Yellow Sun is a masterpiece in balancing truth and fiction [14 Jan 2020|03:28pm]

Chimamanda Ngozi Adichie’s novel about the long-forgotten Biafran war tells a story that feels truthful, but is also clearly a work of fiction

Last year, Chimamanda Ngozi Adichie gave the inaugural Gabriel García Márquez lecture and spoke about truth and storytelling. “To start a story, a true story, thinking of balance is already to place an obstacle in the path of that story,” she said. “Because what one must focus on is not balance, but truth.”

Those who have lamented the failures of the BBC over the past few years will understand this point only too well, but I’d still recommend listening to this lecture. It’s moving and impressive to hear Adichie make her points so forcefully and eloquently – and a worthwhile reminder of the curious fact that the people who offer us the best insights into reality are often novelists, rather than reporters.

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Roger Scruton: a brilliant philosopher and self-conscious controversialist | Seamus Perry [14 Jan 2020|03:57pm]

His writings may have earned ‘the hatred of decent liberals everywhere’ as Scruton himself once said, but even his ideological opponents are his beneficiaries

A cartoon published years ago in Private Eye featured two men sitting at a desk, one sober-suited and academic-looking, the other a circus clown with a great red nose and a spinning bow-tie. The high-brow man was answering the phone, and the caption was him saying: “And to which of Clive James’s agents do you wish to speak?”

Related: Sir Roger Scruton obituary

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Stephen King faces backlash over comments on Oscars diversity [14 Jan 2020|09:34pm]

Ava DuVernay and Roxane Gay criticized author after he said he ‘would never consider diversity in matters of art’

In yet another year of Oscar nominations that saw a paucity of recognition for women and artists of colour, the response has been almost exhausted – after all, hasn’t it all already been said?

“Congratulations to those men,” quipped Issa Rae, reading out the all-male list of nominees for best director this year – reminiscent of Natalie Portman’s introduction of the “all-male nominees” last year. People wrote opinion pieces about the stereotypical roles for which people of color are awarded and reminded us that yes, there were female directors who were good enough for the best director slot this year, too.

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