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Sex and Lies by Leïla Slimani review – exploring secret lives [12 Feb 2020|07:30am]

The Moroccan-born writer of Lullaby returns to north Africa to explore sex, pornography and hypocrisy

Leïla Slimani came to the attention of English-speaking readers with Lullaby, a novel about a nanny who kills her charges; it became a global bestseller and is now a film. But her first novel was Adèle, at the centre of which is a woman chasing empty, violent sex with men not including her husband. It was translated into English last year to mixed reviews: readers found it flat, joyless; even those who liked it thought it uncomfortable, while some French journalists expressed surprise that a Moroccan-born woman would write such a book. The nonfiction work Sex and Lies both calls out the latter’s soft-focus orientalist prejudices and makes clear why their surprise is misplaced.

In Morocco, where Slimani grew up, the penal code lays down imprisonment of up to a year for anyone engaging in sex before marriage, up to two years for adultery, and up to three for homosexual acts. Abortion is illegal except in cases of rape, severe embryo deformity or incest. A new family code allows registration of children born out of wedlock – but if paternity is denied, the name must be prefixed by “abd”: “servant, slave, subordinate”. Slimani cites research that estimates 24 babies are abandoned and nearly 600 secret abortions are carried out daily. She was lucky, she writes, to grow up middle-class in Rabat, one of three sisters born to parents who believed in equality but could not entirely protect them from a society which, as Slimani puts it, experiences women’s intellectual and physical freedom as “violation”, where “I felt guilty before I had even sinned” – a society that is, as a result, obsessed by sex.

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Gathering Evidence by Martin MacInnes review – an unnerving vision [12 Feb 2020|09:00am]
Dying forests, sinister fungi, mysterious medics and an addictive social media app power this impressive novel

Martin MacInnes’s disquieting second novel opens with what amounts to an essay about a new social media app. Nest is the ultimate self-monitoring tool, a minutely sensitive personal algorithm so addictive that its usage and influence have become more or less universal. Nest is effectively unhackable, creating its compelling “pattern” from personal data fields so deep and diverse they cannot be copied, or lifted, “as a body part might be”. Users – and for that read everyone – quickly become so dependent on their “nests” they find themselves unable to make decisions, initiate relationships or even leave home without measuring the impact on their behaviour pattern. The book then offers us a glimpse of future catastrophe, before projecting us backwards in time to the point at which this story truly begins. We will not comprehend our direction of travel until much later.

John is a programmer for a large technology company, working on the development of new applications. His wife, Shel, is a primatologist, about to embark on a field mission to Westenra Park, a conservation reserve for the last surviving troop of bonobos (the country is not specified). Two of the animals have recently died in unexplained circumstances, and a team of experts have been called in to investigate. Westenra Park itself is underwritten by a mining corporation specialising in the production and transport of breeze-block infrastructure. The company’s main export is airport hubs, which are now considered to be prestige destinations in themselves. Tourism to Westenra Park has been suspended, supposedly to protect the integrity of the chimpanzees’ environment, though visitors continue to flock to the “nearby” lake resorts hundreds of miles away:

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Dear Life by Rachel Clarke review – a doctor on grief, love and the NHS [12 Feb 2020|11:58am]

A medic’s heartbreaking personal account of the loss of her father, and of witnessing the courage of the critically ill

Part-way through this memoir of hospice medicine and living with loss, Rachel Clarke lists a few troubling ideas she prefers to avoid thinking about: global warming, far-right populism, email overload, menopause, declining numbers of bees and, of course, mortality. It’s become a truism that western societies have difficulties accepting death, but Clarke, whose daily work is to ease the suffering of the dying, has a different view. She sees sense in avoiding the contemplation of death, and often applauds her patients for it – right up until they no longer have any choice.

It’s a kindness to see death as belonging on the same list as brown envelopes from the government: “Maybe, more prosaically, dying is on a par with tax returns and pensions. We know we should address them all proactively, it is just that the admin involved is, frankly, tiresome.” Only 4% of the population have had the foresight to prepare an “advanced directive” detailing how they’d like to be treated or left in peace should they become critically ill; Clarke would like to see that number increase. Her book has an appendix of websites and organisations that can help. But Dear Life is not a manual for dying, or an orthodox medical memoir – it’s a very personal autobiography. It charts one woman’s trajectory from a happy childhood in rural Wiltshire as the daughter of a local GP, through university, then into a successful career making TV documentaries in London. There’s a Damascus moment in her late 20s when she decides to retrain as a doctor, first in acute and emergency medicine, then finally as a consultant in palliative care.

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Dear Life by Rachel Clarke review – a doctor on grief, love and the NHS [12 Feb 2020|11:58am]

A medic’s heartbreaking personal account of the loss of her father, and of witnessing the courage of the critically ill

Part-way through this memoir of hospice medicine and living with loss, Rachel Clarke lists a few troubling ideas she prefers to avoid thinking about: global warming, far-right populism, email overload, menopause, declining numbers of bees and, of course, mortality. It’s become a truism that western societies have difficulties accepting death, but Clarke, whose daily work is to ease the suffering of the dying, has a different view. She sees sense in avoiding the contemplation of death, and often applauds her patients for it – right up until they no longer have any choice.

It’s a kindness to see death as belonging on the same list as brown envelopes from the government: “Maybe, more prosaically, dying is on a par with tax returns and pensions. We know we should address them all proactively, it is just that the admin involved is, frankly, tiresome.” Only 4% of the population have had the foresight to prepare an “advance directive” detailing how they’d like to be treated or left in peace should they become critically ill; Clarke would like to see that number increase. Her book has an appendix of websites and organisations that can help. But Dear Life is not a manual for dying, or an orthodox medical memoir – it’s a very personal autobiography. It charts one woman’s trajectory from a happy childhood in rural Wiltshire as the daughter of a local GP, through university, then into a successful career making TV documentaries in London. There’s a Damascus moment in her late 20s when she decides to retrain as a doctor, first in acute and emergency medicine, then finally as a consultant in palliative care.

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Martin Amis to publish novel inspired by death of Christopher Hitchens [12 Feb 2020|12:15pm]

An autobiographical novel, Inside Story, will chronicle the writer’s romantic affairs, the death of Hitchens – his closest friend – and the 9/11 attacks

Martin Amis has written his “most intimate and epic work”, an autobiographical novel that will draw on the death of his closest friend, the polemical writer Christopher Hitchens.

Inside Story, published in September, is “the unseen portrait of Martin Amis’s extraordinary life”, according to his publisher Jonathan Cape. Amis writes about the “vibrant characters who have helped define” him, including Hitchens, who had cancer and died in Houston in 2011. Amis moved to the US partly to be near him.

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Top 10 books of eco-fiction | Michael Christie [12 Feb 2020|01:54pm]

As the climate crisis grows ever clearer, the best fiction can help realign our conception of nature

As our real-world ecosystem further devolves, we’ll soon move into the pining-for-our-ex-phase of the relationship – watching the BBC’s Planet Earth documentaries like old wedding videos after a nasty divorce. But books can reconfigure our conception of nature for the better.

My new novel, Greenwood, begins in 2038 on a remote island off the Pacific coast of British Columbia, where wealthy tourists flock from all corners of the dust-choked globe to visit the Greenwood Arboreal Cathedral­ – one of the world’s last remaining forests. The story then travels back through time, telling the story of a family inextricably linked to the trees, from a biologist to a carpenter to an eco-warrior to a blind timber tycoon, describing how we went from fearing and mythologising our forests, to extracting enormous wealth from them, to fencing them off as luxury retreats.

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Not so fast: how ‘quarantine’ turned from prayer to isolation [12 Feb 2020|05:32pm]

The 40 days Jesus spent fasting in the wilderness have developed into a medical condition

This week the government announced that the coronavirus outbreak was “a serious and imminent threat to public health”, and gave itself new powers to force English people who threatened to spread the disease into “mandatory isolation”. This is otherwise known as “quarantine”, but why?

It comes from the Latin (via French quarantaine) for 40 days, which was the length of time Jesus fasted in the wilderness, and so the period of Lent, as well as how long a widow could remain in her deceased husband’s house. In the 17th century it began to describe a precautionary period of isolation imposed on travellers to prevent them spreading disease, especially if they came from certain places. In 1663, Samuel Pepys wrote that ships from Amsterdam and Hamburg, where the plague was rife, had “to perform their quarantine” in Hole Haven on the Thames Estuary.

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