https://www.theguardian.com/books/2020/feb/22/hilary-mantel-ive-got-quite-amused-at-people-saying-i-have-writers-block-ive-been-like-a-factory As the long-awaited final volume of her Thomas Cromwell trilogy is published, the twice Booker winner discusses her writing life and why she wants to write a play of her controversial Margaret Thatcher story About 15 years ago, Hilary Mantel got on a plane to Russia, on a cultural visit to Perm, near the Ural mountains. I was part of the group. As we readied ourselves for the flight, she explained that she’d be quiet for the next few hours; she was planning to immerse herself in a new project. It was, she explained, set in Tudor England, at the time of the great break with Rome, and featured both Henry VIII and his notorious chief adviser, Thomas Cromwell. And so if we would excuse her, she had lots to do. Now, here we are, in the author’s home in the genteel Devon seaside town of Budleigh Salterton, with more than 1.5m copies of Wolf Hall and Bring Up the Bodies sold and the conclusion of her epic trilogy, The Mirror & the Light, sending pre-orders through the roof. The two Booker prize trophies that Cromwell has already brought Mantel perch unobtrusively on a bookcase and there are few signs of the immense industry that the enterprise has required – perhaps because Mantel sets off each morning for a small flat up the road in order to write, working on stage versions and an illustrated companion to Wolf Hall. Back in 2005, could she have imagined what lay ahead? Continue reading...
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