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Out of Darkness, Shining Light by Pettina Gappah review – a journey across colonial Africa [28 Feb 2020|07:30am]

As the explorer Livingstone’s body is carried homewards in Pettina Gappah’s fictionalised account, his African servants reveal the man behind the myth

Western history builds up its great men with sleight-of-hand, nudging our attention away from all the things we’re not supposed to see, while it keeps others in the shadows. A great deal of what we know about Victorian missionary and explorer David Livingstone, as well as the fact that we know very little about his African attendants, is thanks to this kind of mythologisation, casting him as the hero while they were merely his “dark companions”. Out of Darkness, Shining Light is the fourth publication by Zimbabwean author Petina Gappah, whose debut An Elegy for Easterly won the Guardian first book award. It deconstructs that myth by providing a fictionalised account of Livingstone’s attendants’ 1,500-mile journey from Chief Chitambo’s village, in what is now Zambia, to Zanzibar, bearing his corpse on the way home to England.

It’s a captivating premise for a novel that despite its Faulknerian DNA is entirely Gappah’s own. She amplifies two voices among the “69 who carried his bones”: Livingstone’s loquacious cook Halima and his pompous servant Jacob Wainwright. Though Halima’s narration sometimes seems stalled by gossip about which of the women is going off with which of the men, she is in no way blinkered by domestic trifles. She sees right through the “Nile madness” that led Livingstone to abandon his own children to “wander about looking for the beginning of a river”, and often comes across as savvier than Wainwright. “People can do good and still be bad, and do bad and still be good,” she reasons, following Livingstone’s death. “Choose only to remember him as it gives you comfort.”

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Parisian Lives by Deidre Bair review – deliciously indiscreet about Beckett and De Beauvoir [28 Feb 2020|08:58am]

Buying drinks and rebuffing sexual advances ... the literary biographer reveals all about the process of writing two acclaimed lives

When Samuel Beckett agreed to let Deirdre Bair write his biography, everyone assumed it was because he was sleeping with her. The year was 1971 and there could be no other explanation as to why the reclusive Grand Old Man of Irish and European letters should bestow a pearl of such great price on a young American with no more than a recent PhD to her name. Evil-minded gossip flew around the obstreperous ragtag of ivy league professors, Irish poets, Parisian intellectuals and New York critics who had appointed themselves gate-keepers of the Beckett universe. If anyone was going to write about the author of Waiting for Godot, Molloy and Krapp’s Last Tape, they had always imagined it would be them. Now, it transpired, this American had pillow-talked her way into the literary gig of the century while they had been busy going to international Beckett conferences, getting drunk in Dublin pubs or fretting about why “Sam” hadn’t replied to their last three letters.

Yet as Bair reveals in what she calls her “bio-memoir”, the Nobel laureate never bothered to conceal his erotic indifference to the earnest, happily married woman who had cheekily suggested that she was the best person to write his life.

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Marian Keyes: 'I'm giving every woman I've met Three Women by Lisa Taddeo' [28 Feb 2020|10:00am]

The author on Naomi Wolf, Nora Ephron and why she finds comfort in reading crime novels

The book I am currently reading
I’m the chair of the 2020 Comedy Women in Print prize so I’m reading my way through dozens of submissions.

The book that changed my life
The Beauty Myth by Naomi Wolf. I came of age in the so-called “post-feminist” era when feminism felt like a dirty word. Obviously, the world was still wildly unequal but I didn’t have the language to articulate my feelings. This book opened my eyes to the countless insidious ways that women are undermined by comparison with some unachievable physical ideal.

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Anne Enright: ‘A lot of bad things happen to women in books. Really a lot’ [28 Feb 2020|10:58am]

She began a novel about the dark side of Hollywood – and then the Weinstein scandal broke. The Booker-winner on mothers, marriage and misogyny

When Anne Enright began writing her latest novel Actress in 2016, a story of the dark side of showbusiness with a full cast of sleazebags and sexual predators, she felt that she “was breaking some kind of news”. Then came the Harvey Weinstein scandal. Ever since her 2007 Booker-winning novel The Gathering, which touched on sexual abuse in Ireland, she “has been interested in things that are barely spoken or taboo”. But now, “what went on in Hollywood” was finally being talked about. “It is really interesting how the tide rises,” she says. “I was one of the many boats on this rising tide.”

In Katherine O’Dell, her fictional fallen star of stage and screen, all “mad green eyes”, cigarettes and secret shame, Enright has created a heroine as irresistible to the reader as to her audiences and hangers-on, “a great Irish Disaster”. Narrated by O’Dell’s daughter, a writer, looking back to Ireland in the 1970s, Actress covers familiar Enright territory: tricky mothers, a dark period in her country’s history, sex and marriage (the narrator’s domestic contentment is set against the violence and shabby romances of her mother’s past). Enright had been promising to write her “theatre book” for years, drawn to “that nostalgia, that slightly tawdry, slightly worn-out, hopeful, foolish thing. I always loved all of that.” She was a professional actor “for at least six months” after leaving college. “I loved backstage.” She wanted to capture what she calls “the moment of glamour”, which is also a “pang of loss. The moment you see that something is beautiful is the moment it starts to recede from you, or you see that you don’t have it. It’s somehow unreachable.”

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Winter in Sokcho review – broodingly atmospheric [28 Feb 2020|12:00pm]

The tension builds in Elisa Shua Dusapin’s first novel after a mysterious guest arrives at a dead-end South Korean hotel

An out-of-season South Korean resort, a mysterious foreign visitor and a young woman whose dual nationality and anguished diffidence mark her out as an anomaly among her community are the main components of French-Korean author Elisa Shua Dusapin’s compact first novel. The book is set in Sokcho, a city so close to South Korea’s impenetrable northern counterpart that it is possible to take a day trip over the border.

Dusapin’s unnamed narrator has returned to her home town from university in Seoul. Working as a live-in receptionist and cook at a dead-end guesthouse run by the grumpy Old Park, she has resisted opportunities for further study abroad as obstinately as she holds out against an anticipated engagement to her vacuous model boyfriend. Winter has encased Sokcho like a snow globe: in this precarious frozen landscape, figures move as languorously as the crabs and octopuses occupying the glass tanks of its vast fish markets.

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Georges Simenon webchat with his son John – live [28 Feb 2020|01:19pm]

Concluding our look at the Inspector Maigret mysteries, the author’s son is with us to field your questions about his father’s career

proust (not that one - I think) writes:

You must be delighted by the two volume Simenon collection (and album) published by the prestigious Editions de la Pleiade in 2003, an accolade given only to the most important writers, with a full scholarly/critical apparatus. It contains some Maigret and also a selection of ‘romans durs’. Sadly Simenon wasn’t published in the Pleiade until after his death.

What did you think of the selection?

Definitely a good one, but, like any selection, unfair to so many other titles…

nkenny wants to know:

What’s your favourite Maigret novel?

There a quite a few: Le Charretier de La Providence, Maigret au Picratt’s, La Tête d’un homme, Maigret et la jeune morte, Maigret et le corps sans tête…(I will use the French titles in this chat as I don’t know the UK one by heart)

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‘Surreal immediacy’: how a 1,000-page novel became a 45-hour audiobook [28 Feb 2020|02:00pm]

Lucy Ellmann’s Ducks, Newburyport has attracted much attention for its length, but one publisher believes the spoken word might be its perfect medium

Finishing a good book should leave you feeling bereft for a little while, but it’s rare to leave a novel with your brain vibrating at a different frequency. After I finished Lucy Ellmann’s Ducks, Newburyport – a single-sentence stream of consciousness set entirely within the mind of an Ohio housewife – I experienced a comedown. Her unnamed protagonist starts every new thought with “the fact that”, a banal phrase that felt like an exposed secret whenever I spotted it in the wild. Scrolling through examples of the clickbait that litter her thoughts (“Dog Sees Himself On TV And Freaks Out”), absurdist headlines took on a new profundity. When I finished it, I missed her.

It’s one thing to read Ellmann’s 1,030-page novel; it’s another to read it aloud. When tiny press Galley Beggar signed Ducks, Newburyport, they didn’t give much thought to an audiobook, says co-founder Sam Jordison. It still didn’t have an audio publisher when it was nominated for the 2019 Booker prize – but as the Royal National Institute of Blind People (RNIB) makes all shortlisted titles available to members of its library, it commissioned US actor Stephanie Ellyne to tackle the challenge.

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Georges Simenon webchat with his son John – live [28 Feb 2020|02:07pm]

Concluding our look at the Inspector Maigret mysteries, the author’s son is with us to field your questions about his father’s career

LeatherCol has another question:

I was wondering how Belgian, as opposed to French or Swiss, your father may have felt or whether that didn’t mean very much to him?

My father felt first and foremost from Outremeuse, a populous district of Liège where he lived as a child. But he never felt strong nationalistic bonds with any country.

Having said that, you find Liège in many novels that don't even take place there

siancain asks:

Was your father’s fame very noticeable to you when you were a child? And was he at ease with it?

It was very noticeable of course, but that was part of our lives, and it is only later that I realised how exceptional that was. As for my father, I believe he accepted it as something to be grateful to his readers for, but he also fought hard, and mostly managed, to preserve his and the family’s private lives, at least until his separation with my mother.

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Georges Simenon webchat – his son John on his daily habits, favourite books and future adaptations [28 Feb 2020|02:22pm]

Concluding our look at the Inspector Maigret mysteries, the author’s son joined us to field your questions about his father’s career

Well, it looks like we've overextended our time, so bye for now and thank you for a very rich and exciting exchange

Please join me in thanking John for his time and for answering your questions. And thank you for those too!

RoscoBoyle says:

What were your father’s working habits - his daily approach to writing?

While writing (5 books x 15 days max = 80 days a year): Wake up at 5:00 am, in his den at 6:00 am, writes a chapter longhand (romans durs), out by 11:30 am, reads the newspapers, lunch with the family at 12:30, short siesta at 13:15, back in the den at 14:00, types the morning chapter, out of the office at 17:00, reads the newspapers, helps the kids with their homework, dinner at 18:30, in bed around 21:00

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