CAUSE I'M A BLACK MERMAID FROM THE BOTTOM OF THE SEA

[ BIO ] Tristan » nojournal » the ?

Mon, 16 May 2011 21:17:49 GMT

name mcname

basics ● supernatural ● history
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basics
NAME:
NICKNAME
AGE AND DOB:
CAREER:
CURRENT RESIDENCE:
MARTIAL STATUS:
SEXUALITY:
HEIGHT:
EYE / HAIR COLOUR:
DISTINGUISHING MARKS:

supernatural
RACE:
ABILITIES

ETHER:
SKILLS:
LIMITATIONS:
WEAPONRY TRAINING:
GROUP:

history
FAMILY
   FATHER:
   MOTHER:
   SIBLING(S):

●

extra
●

soundtrack
♪ Artist; song.

connections

Coming Soon.
RELATIONSHIP

ooc
PLAY BY:
PLAYER:

[ BIO ] Harrison » nojournal » the ?

Mon, 25 Apr 2011 12:31:54 GMT

name mcname

Coming Soon.
RELATIONSHIP

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[ BIO ] Hannah » nojournal » the hallucinogenic

Mon, 25 Apr 2011 10:24:29 GMT

name mcname

basics ● supernatural ● history
extra ● soundtrack ● scenes ● connections ● ooc

basics
NAME: Hannah
NICKNAME The only real nickname you could form is 'Han' and that is not something she will answer to, you could try but it might cost you something very dear.
AGE AND DOB:
CAREER: Professional psycho.
CURRENT RESIDENCE:
MARTIAL STATUS: Single.
SEXUALITY: Hannah is not a sexual being, she doesn't think about such.
HEIGHT: 5"4.
EYE / HAIR COLOUR: Blue / Red.
DISTINGUISHING MARKS:

supernatural
RACE: Demon.
ABILITIES

EMPATHY The ability to perceive what others are feeling, something which Hannah finds exceedingly useful in her games - she tends to know exactly what she's hitting the right buttons.

FEAR AND DESIRE DETECTION Bundled up in Hannah's empathy is another ability - the detection of fears and desires, something about going right into the mind to find out what terrifies someone, what they fear the most and, in turn, what they want, those deep dark secrets which no one wants any one to find. It is these things which she pulls from the mind, these things which are used when given a taste of her blood.

HALLUCINOGENIC BLOOD Hanneh's final power is that to truly get into the mind, to cause hallucinations, illusions, something which feeds from a person's fear or desire. She has a little control over it, able to nudge things in the right direction but mostly the victim makes it's own fear, their own nightmare.

ETHER: Fizzy sugar strawberries with the sharp bite of sour, she's reds and creams, something sweet with a hidden snare beneath. Giggles which go on a little too long to be normal. There is something eerie about Hannah, something not exactly normal beneath that fizzling first whisper.
SKILLS:
LIMITATIONS:
WEAPONRY TRAINING:
GROUP:

history
FAMILY
   FATHER:
   MOTHER:
   SIBLING(S):

●

extra
●

soundtrack
♪ Artist; song.

connections

Coming Soon.
RELATIONSHIP

ooc
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PLAYER:

[ BIO ] Sarin Winters » nojournal » the mistress

Sun, 03 Apr 2011 19:55:41 GMT

sarin winters

basics ● supernatural ● history
extra ● soundtrack ● scenes ● connections ● ooc

basics
NAME: Sarin Bellatrix Winters.
NICKNAME She doesn't accept any nicknames, she tends to go by Sarin for those she considers friends or Ms Winters for everyone else.
AGE AND DOB: 478; 1541.
CAREER: Owner of The Karyukai Theatre.
CURRENT RESIDENCE: Sarin has numerous homes all around the world however she is currently residing in Las Vegas in her Theatre.
MARTIAL STATUS: Single.
SEXUALITY: Bisexual.
HEIGHT: 5"4.
EYE / HAIR COLOUR: Blue / Black.
DISTINGUISHING MARKS: Sarin has very, very few marks on her body and prides herself on her flawless skin. Her more distinguishing physical traits is more her wardrobe which tends to be very glamorous with a hint of burlesque at all times.

supernatural
RACE: Demon.
ABILITIES

MIND CONTROL Sarin's main, and most used ability, is the ability to take control of the mind and thus the body. It is done through either touch or blood. She is capable of taking control of their actions, forcing them to do things they otherwise resist. Humans tend to be the easiest for her to take control, they have little to no knowledge of the supernatural and thus do not have the natural defences against her mind control meaning she can easily keep them under her control. Each control begins with a touch, a momentary thing however once that connection and control is there it is possible for her to continue or re-instate the link. It is however costly for Sarin to do such if she has no further link which is why she tends to take a sample of blood from every employee.

PISONIC BLAST Much like her mind control Sarin's pisonic blasts are usually done with touch, they are simply a crude form of energy blast through the mind causing pain, memory loss and at times burning out the mind to the point of death or a vegetative state.

ETHER: There is something very demanding about Sarin on the Ether, something which makes you pause, a tease of colour which draws your attention to her. The taste of strawberries on your lips followed by rich, milky chocolate in a sharp biting kiss which draws blood. She's fleeting, ever moving, a dancer even on the Ether. A feel of falling petals on your skin followed by kisses or the sharp draw of nails across skin. When angered she's the sharp taste of sour berries mixing with copper blood and the ring of a sword drawn behind you, the knowledge that it is coming.
SKILLS: Over the years Sarin has picked up numerous skills from the ridiculous to the bloody and violent. Her biggest "hobby" could be considered the pursuit of her love of Japanese culture and all things connected to the ways of the Geisha. The majority of Sarin's skills pertain to entertainment industry, to that side of things. Sarin is an excellent actress, easily hiding her emotions. There was a time when she attempted to impress her father with her knowledge of science and while she still retains what she learnt -- working some way through a doctorate in fact -- it is something she has no interest in any longer.
LIMITATIONS: Sarin's biggest limitation would be her ego, her pride, the fact that she could easily forget that outside of her theatre she is not all powerful, that is she not a Goddess of sorts. Within her theatre she is the be all and end all and as such she has almost forgotten the fact that in reality she isn't that much of a big fish. Of course like all demons Sarin has the weaknesses of holy objects, water or places.
WEAPONRY TRAINING: While Sarin is capable of fighting it isn't something she likes to do and she tends to use those around her as much as she is able.
GROUP: Unaffiliated.

history
FAMILY
  FATHER: Kristopher Winters.
  MOTHER: Unknown.
  SIBLING(S): None that she knows of.

● Sarin is often of the belief that her conception was actually simply apart of one of her father's observations, his desire to observe the development of life within another. Something which her father has never denied or confirmed, his answer always simply an amused smile.
● Kristopher Winters was not your typical demon however he was your typical scientist in some ways. He was obsessive and viewed the world in a way others didn't; as a series of experiments and observations, breaking everything down to knowledge. It was something Sarin had always both loved and hated within her father. His children were his experiments, his beloved inventions which were fantastical in the extreme at times.
● There is no recollection of her mother and certainly Sarin holds the belief that she was little more than a womb, a body in which she flourished and which her father discarded soon after for his choice of wet-nurse and nanny. This woman, Marie, along with her daughter Claudia would quickly and permanently become a part of Sarin’s life. Marie taking on the role of mother for the few day old Sarin and never truly leaving that while Claudia became sister and friend, one of the few who knew the real Sarin beneath the masks and games the two would end up playing.
● Childhood was typical in some ways. She was brought up almost human; schooled in English, maths and science along with French and Italian from Marie and then later art, piano, violin and etiquette. She was brought up as a young Lady, as if she was nobility. From an early age Sarin was well aware of what she was and what the world held, what else was out there in the darkness. As a child she was of the old souled sort, very precocious though never truly brattish; she had no true need to demand what she wanted, all she need do was ask.
● A few women came in and out of her life thanks to her father - usually arrogant, cold and somewhat vapid women which she couldn't stand. It was by ejecting these women from both her and her father's life that she honed her more manipulative skills and her early talents of an actress, easily dispatching them as she grew tired of them. Few lasted beyond a handful of months as in truth Sarin had her eyes set on Marie and her father, believing no one to be a good enough match for either of them but one another.
● While her father had no love for the upper class ways Sarin was introduced to such at an early age by Marie and she soon swept through London. Much of what she remembers of her childhood is of balls and games that she and Claudia would play, entertaining themselves with games of seduction and deceit, keeping the upper classes of London in the palms of their hands.
● Throughout her childhood her relationship with her father was almost neutral. Kristopher was a brilliant scientist and inventor and anything else he turned his hand at, an intelligent man who would easily be put into the genius category. His obsession was knowledge and his time was spent seeking such. He was forever flittering from one thing to the next, coming in and out of the lime light with various names over the years. Such a life meant that Sarin and his time together was few and far between and to Sarin, who had become used to getting her own way, this was simply unacceptable. Gaining her father’s love, his attention, became something of a need for her for a long time, at first it was simply by attempting interest in his experiments but this soon grew into more elaborate schemes of scandal aimed to gain his attention. To which he never batted an eyelid. Kristopher loved his daughter and he certainly showed this, at times, he was simply very wrapped up in his work, in his discoveries and often forgot that Sarin was someone who did need attention. Thankfully this never truly turned into a bitterness in Sarin’s case as she realised such once she had grown up.
● Much of Sarin’s life is made up of soul searching, in finding who she was amongst this very confusing world. She was brought up almost human, aware of what she was without the pressure of being what she was. Her father never expected darkness from her, never expected her to spill blood, not like some demonic families who pride themselves on their strength in such matters. She was simply allowed to be.
● To this day she still remembers the first time she spilt blood; she and Claudia were out at one of the many, many parties they attended, drunk, high on some demon’s blood and it had seemed like a good idea to them both at the time. His name was John and he had beautiful blue eyes, startlingly blue, the kind which had stopped both she and Claudia in there tracks. There had been a charming seduction to him which had lead to one of their games, a game of seduction, to have him at their feet, begging for them both. It was a game both women adored and one they played often. Tonight however was a little different somehow, darker, daring. The two women were forever pushing one another, pressing, forcing one another to grow, to be stronger, better, challenging and to this day Sarin still has no idea which one of them began the game of death. Blood and death had never truly interested her before then, it had never bothered her and yet as they sliced into this male’s beautiful body, marring his flesh they soon found something delicious in it, something erotic, heightening the senses as they held him at their whim. Still she remembers his sounds of pain and Claudia’s pleasure, remembers the taste of blood on her tongue even as she filled the room with Claudia’s screams. That night both she and Claudia had found their next thing; death and the beauty which could be found within.
● The next few years became steeped in blood, in a world of sin and debauchery where both she and Claudia feasted on death and sex. It was sin fuelled, decadent, and glamorous in some ways. They took the supernatural side of London by storm, livening it up with their parties and demands. Sarin loved it, she was a Queen amongst them all and she began to find herself, to finally become her own person divorced from her father. They knew her and not the strange scientist.
● Very little of real note happened in Sarin’s years before her interest in the Theatre. The one thing which forever stays with her was the near loss of Claudia. Something which Sarin had never appreciated in their youth was her humanity, the fact that she was human, breakable and nearly, oh, so nearly she was taken away from her. It was a night which Sarin remembers clearly, the sharp panic which had closed up her throat and sent ice down her spine, the chilling words that she had to come quick, that Claudia was hurt and they didn’t think she would make it. It was an argument gone too far, Claudia having roused one of the other ladies of their “court” into attacking her, forgetting that Sarin wasn’t there to keep her out of danger. Death was simply unacceptable in Sarin’s eyes and she quickly demanded a vampire and a therianthrope to be brought forward, snarling until they both kneeled. Claudia was bullied into making a choice, Sarin unable to accept that she would leave her, that their time together must come to and end in any sort of way. Why they had never done this previously was beyond the demonness and in the end a vampire was selected to turn Claudia and thus saving her life. The woman who had attacked her friend was killed slowly, painfully in front of them all in a show of power.
● Thankfully life after this returned to some form of relatively normal. Normal for them anyway. London lost its appeal after a while and the two women travelled for a number of years first Europe and then outward, to border areas. Sarin loved travelling, taking in everything had to offer, all the different cultures. They tended to stay a number of years in places they adored – Paris, Rome and Sarin’s favourite – Japan. Japan was one of the places she spent the most time, easily finding herself a place in society and it was actually here that she opened her first theatre. Sarin became somewhat obsessed with the Japanese culture, most notably the Geisha of the time. Taking after her father in some matters Sarin quickly took to learning all she could in this matter and actually underwent the training required to be considered a Geisha. For a number of years she lived in such a manner, entertaining as if she were truly a Geisha, taking on their customs and ways. Her style adapted slowly, taking on a more burlesque style almost, a teasing glimpse of where she would end up in her later years.
● Sarin made quite a name for herself in certain circles of Japan, much like she had done in London, finding her niche which she exploited perfectly. With money never having been an issue thanks to her father she was able to adapt and manipulate this glamorous world of Geisha entertainment into something tailored for the supernatural world. Death, sex and the beauty of the Geisha were woven together elaborately creating a whole new world within that of flowers and willows. Her theatre became quite a success and gave her a taste of something new.
● It was only when Japan became involved in War World 2 and the decline of the Geisha and the entertainment district did Sarin move away from Japan. For a few years she travelled once more, taking in the changes of the world before she settled in the Las Vegas, a city which drew her in with its lavish glamour and seedier side.
● Sarin easily settled in Las Vegas and opened up The Karyukai Theatre. The name a homeage to her time in Japan and the roots from which it was formed. The theatre is, as expected, opulent, lavish and really so much more than simply a theatre. Plays run from perfectly norma to erotic or the macabre. They showcase a wide range and are entirely tailored to the supernatural world, the deaths are real, the blood is real, the pain and pleasure is all real which is what makes it so much more than any other theatre may have to offer. Along with the plays she has expanded to include two ‘clubs’. One of which harks back to the glory days of Geisha, of course there are modern twists and turns in there, you will find elaborately dressed women working side by side with those who wear barely anything. Another of her clubs is an S&M club, a world of pain and pleasure, of Masters and slaves. Both clubs have shows, they’re not places to go out and get drunk, they’re entertainment at their finest and Sarin prides herself on their perfection.
● The war effected Sarin only due to her business and their near destruction, much like everything in Las Vegas however the demoness was not going to let a few bombs bring down her Kingdom and the Karyukai was reborn bigger and better than ever before.

extra
● Owns two greyhounds by the name of Galliano and Westwood and a sphinx cat by the name of McQueen. All named after recent notable fashion designers.

soundtrack
♪ Artist; song.

connections

Coming Soon.
RELATIONSHIP

ooc
PLAY BY: Dita von Teese.
PLAYER: Steph.

[ BIO ] Hope Raynor » nojournal » the ?

Sun, 03 Apr 2011 19:49:36 GMT

name mcname

basics ● supernatural ● history
extra ● soundtrack ● scenes ● connections ● ooc

basics
NAME: Esperanza Consuela Raynor née Valezquez.
NICKNAME Since she was little Esperanza has always gone by Hope as this is what her grandmother called her, the meaning of her name. It is only on official documents such as her passport, birth certificate etc. that the name Esperanaza appears and she actually introduces herself as Hope.
AGE AND DOB: 32; 27th January, 1987.
CAREER: Elementary school teacher.
CURRENT RESIDENCE: Lives in one of the remaining suburban areas in a house with her husband Jonathan.
MARTIAL STATUS: Married; Jonathan Raynor.
SEXUALITY: Heterosexual.
HEIGHT: 5"3.
EYE / HAIR COLOUR: Brown / Brown.
DISTINGUISHING MARKS:

supernatural
RACE: Therianthrope; lion; bitten.
ABILITIES The ability to take on the secondary form of a large African Lion. Her control on her ability can be shaky at times especially when she is under emotional stress or angry.
ETHER: Hope is capable of using the Ether but it is very, very rare that she does so.
STRENGTHS/SKILLS: The majority of Hope's skills and strengths lend themselves to what would be a traditional wife role such as the fact that is an excellent cook. She's patient which is very useful not only with her husband who can be quite stubborn (just like her) but with the children she teaches. She has quite a creative streak, imaginative which helps keeping the children she teaches engaged, teaching them generally in creative and fun ways. Since marrying Jonathan she has become a little more adventurous and will generally allow him to persuade her into trying a number of things. Hope is a quite emotionally strong, capable of keeping a cool and level head in situations which would cause others to panic a fact which has served her well over the years.
WEAKNESSES/LIMITATIONS: Hope's biggest weakness is her need to help and her naivety. Hope wants to see the good in everyone and it means that quite often she gives people the benefit of the doubt, this flaw is most obvious in her relationship with her sister Gabriela. It is because of Gabriela that Hope was turned into a therianthrope, a side of her which Hope hates as she believes it puts not only herself but her husband Jonathan in danger.
WEAPONRY TRAINING: Unsurprisingly Hope has no training beyond a weekly self defence course which she picked up only to keep in shape. Violence is not something which Hope condones in the slightest.
GROUP: Unaffiliated.

history
FAMILY
  FATHER: Adriel Valezquez.
  MOTHER: Isisora Valezquez née Ramos.
  SIBLING(S): Gabriela Valezquez.

● Esperanza Valezquez is the second and final child of Adriel and Isidora Valezquez. While both Adriel and Isidora hailed from [SPAIN?] both Esperanza and her older sister, Gabriela, were born in Las Vegas. Where they would both end up staying.
● The Valezquez family did well enough for themselves, Adriel working in insurance while Isidora worked as a social worker working with children. While neither had large pay checks they did well enough, while the girls were not spoiled they certainly didn't go without.
● Esperanza's childhood was good, a happy one most certainly. The Valezquez was a loud place, often filled with numerous family members from both sides of their families.

extra
●

soundtrack
♪ Artist; song.

connections

Coming Soon.
RELATIONSHIP

ooc
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PLAYER: