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The Triumph of Injustice review – how to wrest control from multinationals [15 Oct 2019|06:00am]

This bracing treatise by Emmanuel Saez and Gabriel Zucman advocates a radical approach to reducing inequality

The global economy crashed more than a decade ago and the world’s progressives are still grasping for an answer. Thinkers from the political left should have been at the forefront of the debate about reforming the world’s financial system, but instead have spent much of the last 10 years struggling to tame the more vigorous response to the crisis from the right.

There have been imaginative initiatives, particularly with regard to the exchange of financial information between countries, but these have hardly set the public imagination alight. Too much of the answer to this global system failure has come from policy rather than politics.

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Margaret Atwood and Bernardine Evaristo: why do we have two Booker winners? - books podcast [15 Oct 2019|07:52am]

On this week’s show, we discuss the shock decision to split the Booker prize between Margaret Atwood and Bernardine Evaristo –a direct contravention of the rules introduced almost 30 years ago after the 1992 judges couldn’t decide on a single winner.

Then Claire speaks to Hazel Carby and Amelia Gentleman about their very different books exploring the treatment of the UK’s Caribbean population. Carby, whose father was part of the Windrush generation, is the author of Imperial Intimacies, a history of the British empire as told through the story of her own family.

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A Puff of Smoke by Sarah Lippett review – growing pains [15 Oct 2019|08:00am]

Sarah Lippett’s wonderfully drawn memoir of a serious childhood illness is moving and inspiring

Serious illness is a painfully lonely business, especially when the patient is a child, isolated from friends and made absent from school by experiences that really should belong – if they must belong anywhere – to the adult world. In her graphic memoir, A Puff of Smoke, Sarah Lippett tells the story of the illness that struck her as a little girl and with which she lived until she was 18 when it was finally diagnosed and doctors were able to treat it. For obvious reasons, its pages are filled with baffled medics and kind nurses, noisy wards and futile tests, debilitating pain and scary, befuddling drugs. But they also speak of a great loneliness: here is a child who is not only unreachable, even by her devoted parents, but who knows herself to be so. If this doesn’t make you cry, you may be a robot rather than a human being.

Her first symptoms are terrible headaches; then she begins to drag one leg as she walks. At her local hospital in Stafford, she is put in an isolation ward while the staff try to work out the cause of her problems – the first time in her life she has ever been left alone. Brain scans are performed, and tests conducted on the fluid in her spine, after which she receives her (mis)diagnosis: she has hemiplegia chorea, an involuntary movement disorder. The drugs she is given for this have terrible side effects, among them urinary infections and hair loss, and naturally they do nothing to alleviate her symptoms. Only many years later, when her father insists on a referral to Great Ormond Street hospital in London, will doctors get to the heart of her condition. It turns out that she has moyamoya, a rare disease that constricts arteries to the brain, may cause strokes, and can only be cured by lengthy brain surgery.

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Is The Golden Notebook a feminist novel? [15 Oct 2019|11:04am]

For all the suffering its women endure at the hands of men, it’s not hard to see why Doris Lessing disliked her book’s polemical reputation

The New York Times critic Ernest Buickler once wrote that “a firkinful of scorching aphorisms” could be culled from nearly every page of The Golden Notebook. An exaggeration, of course – but only just. Doris Lessing’s 1962 novel is eminently quotable:

“For with my intuition I knew that this man was repeating a pattern over and over again: courting a woman with his intelligence and sympathy, claiming her emotionally; then, when she began to claim in return, running away. And the better a woman was, the sooner he would begin to run.”

“The real revolution is women against men.”

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Bid to repatriate James Joyce's remains ahead of Ulysses centenary [15 Oct 2019|03:45pm]

Dublin city councillors are hoping to fulfil wishes of the writer and his wife, which were denied after his death in Switzerland in 1941

A plan to repatriate the remains of James Joyce and his wife Nora Barnacle and finally observe their last wishes, has been proposed by Dublin city councillors more than 70 years after the author’s death.

Born in the Dublin suburb of Rathgar in 1882, Joyce spent decades living away from Ireland due to his growing animosity towards Irish society and his need to find work. He died in Zurich in January 1941 at the age of 58, after undergoing surgery on a perforated ulcer. He is buried in Fluntern cemetery in Zurich, alongside his wife Nora, who died 10 years later. In 1966, they were moved from an ordinary grave to a more prominent one, where their son Giorgio was later buried with them in 1976.

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Backlash after Booker awards prize to two authors [15 Oct 2019|04:25pm]

Decision to make first black female winner, Bernardine Evaristo, share £50,000 prize with Margaret Atwood causes controversy

The Booker prize judges’ decision to break the rules and jointly award the prize to Margaret Atwood and Bernardine Evaristo has been criticised, with detractors pointing out that the first black woman ever to win Britain’s most prestigious literary award has had to share it – while receiving half the usual money.

Chair of the judges Peter Florence shocked the literary world on Monday night when he revealed that the jury had decided – unanimously, he said – to flout rules, which have been in place since 1992, that the Booker “may not be divided or withheld”. After more than five hours of deliberation, he announced that this year’s £50,000 award would be split between Atwood’s follow-up to The Handmaid’s Tale, The Testaments, and Evaristo’s polyphonic novel Girl, Woman, Other. Told in the voices of 12 different characters, mostly black women, Evaristo has said that the novel, her eighth, stems from the fact that “we black British women know that if we don’t write ourselves into literature, no one else will”.

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Booker winners Bernardine Evaristo and Margaret Atwood on breaking the rules [15 Oct 2019|05:00pm]

The judges staged a ‘joyful mutiny’ to name the pair joint winners of the literary prize. And that’s not all that unites them

It was clear that things were not going to plan when, just half an hour before the guests began to arrive, the judges of this year’s Booker prize had yet to make a decision. Five hours after they had begun their deliberations, they finally emerged in a state of “joyful mutiny” to announce that they had decided to break with convention, throw out the rule book and anoint two winners rather than the usual one.

By happy coincidence, Bernardine Evaristo is the same age that Margaret Atwood was when, in 2000, she first won the Booker prize with The Blind Assassin. “And I’m happy that we’ve both got curly hair,” quipped Atwood as they took to the stage arm in arm. They talk about it again the following morning, comparing notes about hair etiquette and handy products for curls. They agree that it is a political issue. “People used to review my hair back in the day,” says Atwood.

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