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May at 10 by Anthony Seldon review – an ‘iron lady’ buckling in the heat of power [10 Nov 2019|07:00am]

The historian’s insightful, revelatory account of Theresa May’s premiership reveals how ill-equipped she was for the role

A Tory prime minister with a stonking lead in the polls engineers an election pledging to get Brexit done and is up against an opposition leader so unpopular that many Labour candidates won’t put his face on their leaflets. What could possibly go wrong?

Anthony Seldon chooses The Pivot as the title of his chapter on the 2017 election. Theresa May’s premiership was one of two parts, separated by that disastrous campaign. Before it, she was empress of all she surveyed. The cabinet was cowed; the civil service bowed. Fawning elements of the media drooled that she was Boudicca reborn and Maggie the Second. After the election announcement, she was greeted by a room of Tory MPs chanting: “Five more years!” The dolts. After the humiliating debacle that cost them seats, she was the empress with no clothes. The May premiership became a tortured and doomed quest to get a Brexit deal through a Commons in which she had no majority. The journey ended with her ignominious eviction from No 10 by the same people who had grovelled at her kitten heels when she was in her pomp.

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Meet Simone Lia, cartoonist and champion of the humble worm [10 Nov 2019|07:55am]

The Observer’s comic-strip artist on her new children’s book, her obsession with invertebrates, and how a prayer for a superior hotel room transformed her life

“Whenever I was between projects,” says Simone Lia – comic-strip cartoonist in the Observer and author of a new children’s book, The Secret Time Machine and the Gherkin Switcheroo, about the unlikely friendship between a bird and a worm – “I couldn’t stop painting worms. I didn’t know why.” As I walk into her house in south London, I notice a huge painting in her hall with a caption in shaky capitals: “WORM HARMONY”. The worms look like demob-happy frankfurters. They have floaty bodies, dazed smiles. She knew enough, she goes on, to know she should pay attention to this obsession. And, with a laugh, she explains she realised how much she admired the character of the worm: “They’re very humble, live in the ground, do good work, get on with it.” These qualities, she says, “I’d like for myself.”

If this sounds like a Christian aspiration, it will not surprise Lia’s many fans. In 2011, she beguiled readers with the book that made her name: Please God, Find Me a Husband! The belief in God was no joke. But the book was very funny. In one irresistible sequence, Lia, whose boyfriend had just ended their relationship by email, walks disconsolately across Leicester Square. She hears the lyrics of INXS’s Need You Tonight playing from a bar and believes God is communicating with her. Before long, in her mind’s eye, she is dancing friskily with God – a bearded, bespectacled bloke in a pale blue, calf-length dress. Her story leads her to a religious order in Wales (“I’m so not going to find a husband hanging out with nuns”) and to Australia, where she meets a handsome horseman who, in the way of handsome horsemen, disappears over the horizon.

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Priests de la Resistance! review – celebrating clerical wartime heroism [10 Nov 2019|11:00am]

A stirring compendium by Fergus Butler-Gallie of the lives of clergy who stood up to Hitler

At a time when hateful, divisive and xenophobic politics are being pursued in parts of Europe in the name of defending “Christian culture”, this is a timely and uplifting book. Before the Rev Fergus Butler-Gallie embarks on a whistlestop tour of saints and martyrs who fought the good fight against Hitler and fascism, he recalls the words of St Paul: “There is neither Jew nor Greek, slave nor free, male or female: all are one in Christ.” Take note, Viktor Orbán, Jarosław Kaczyński and Matteo Salvini.

What follows is an hugely enjoyable if slightly eccentric account of clerical heroism in the face of evil. One would be tempted to call it a romp, were it not for the depth of moral seriousness that motivated the priests and nuns whose stories are recounted. Butler-Gallie starts off with Canon Félix Kir in what is billed as a tale of “white wine and espionage”.

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