https://www.theguardian.com/books/2019/nov/21/nino-haratischvili-georgians-proud-of-stalin-the-eighth-life At 936 pages, The Eighth Life is the novelist’s first book to address her nation’s history. She explains why ‘the Georgian War and Peace’ is not yet complete “People are starting to realise that in return for the sovereignty they so desperately wanted, they’ll have to change their lifestyle,” says one character in Nino Haratischvili’s third and latest novel, The Eighth Life. You could be forgiven for believing this is a dig at Britain’s present moment. In fact, the year is 1991, the country, Georgia, and the scene, the turbulent aftermath of the dissolution of the Soviet Union. It was a time of civil war: Soviet loyalists and Georgian nationalists were at loggerheads over the direction of the country; uprisings in the Georgian territories of South Ossetia and Abkhazia were being backed by Russia; the first leader of the newly independent Georgia was forced to flee. The rule of law had been all but abandoned: shootings in broad daylight and overnight queues for bread were everyday events. When Haratischvili set out to describe the Tbilisi of the 90s that she remembered from her childhood, she quickly discovered that she needed to address everything that had led the country to that point. “I didn’t plan to write such a huge story,” says Haratischvili, who moved to Germany in 2003 and has been living there since. But the resulting 936-page novel, so hefty that her English publishers gave all staff a day off to read it, goes much further back. It chronicles the story of one Georgian family from 1917 to the present day, time-stamped by the Russian Revolution, the second world war and the Prague Spring, and is full of Soviet trappings: white Ladas, Mishka Na Severe chocolates and Red Moscow perfume. Though it is narrated by Niza, a Georgian émigré living in Germany in 2006, it is not autobiographical; Haratischvili describes the novel as personal, an extension of a reality she experienced. The Eighth Life, taking a numerical figure that resembles an infinity sign for its title, is largely about the inescapable patterns of history. Continue reading...
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