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The Death of Jesus by JM Coetzee review – a barren end to a bizarre trilogy [31 Dec 2019|07:00am]
This empty-hearted conclusion to Coetzee’s allegorical saga feels like an elaborate joke at the reader’s expense

The Death of Jesus is the final book in the bizarre allegorical trilogy that Nobel laureate and two-time Booker-winner JM Coetzee has been working on for most of the past decade. The stories tell of a precocious orphan boy, David, who is taken into the care of a fellow refugee, Simón, and, eventually, a woman, Inés.

The first book, The Childhood of Jesus, recounts the sinister Spanish-speaking authorities in Novilla, the town where David and Simón wash up. These are novels about biopolitics, about the ways in which benevolent language can mask state violence. The government of the unnamed province is committed to caring for the basic needs of the refugees who arrive on their shores, while stripping them of all individuality, all means of expression. Simón realises that David possesses certain unconventional gifts, and that in order to indulge them freely they must flee the town.

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Bestselling books of 2019: cleaning guides and diet books hit big [31 Dec 2019|12:00pm]

This year’s UK charts saw domestic cleaning overtake domestic noir, and women winning all the top spots in literary fiction

Almost every other year in the 2010s, an author has come out of left field and claimed the annual bestsellers’ top spot at the expense of the perennial contenders. It is either a first-time novelist going straight to No 1 (Gail Honeyman with Eleanor Oliphant Is Completely Fine last year, EL James with all her Fifty Shades trilogy in 2012), or a former mega-seller returning with a new take on their old saga (James’s reverse-angle Grey in 2015, JK Rowling and her co-writers’ script of Harry Potter and the Cursed Child in 2016).

This happened again in 2019, but with a double twist: a non-fiction title with two debut authors. Pinch of Nom by Kay Featherstone and Kate Allinson, a pair of weight-watching food bloggers from the Wirral, was always a favourite for supremacy after it broke records in March for first-week sales. The spin-off Food Planner also makes the top 50, and the pair are bound to get a third title well up the chart by the end of the year as their follow-up, Pinch of Nom: Everyday Light, came out on 12 December.

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Sandman to Hark! A Vagrant: the best comics of the decade [31 Dec 2019|01:00pm]

Old names and ambitious first-timers produced great graphic novels on everything from teen friendship and time travel to horrifying murder mysteries

With so many hairpin turns over the last 10 years, it makes sense that the greatest and most inventive works in comics would come from unexpected, contradictory corners: young adult and horror. As the YA comics market boomed, it attracted more and more brilliant cartoonists, with superstars such as Raina Telgemeier finding a huge readership outside the world of superheroes. At the same time, new voices such as Emily Carroll and old ones such as Al Columbia produced far darker, yet necessary, visions of the world

Over this decade of upheaval, many fortunes have reversed. DC relaunched its entire shared universe as The New 52 in 2011, then threw in the towel and returned to the status quo after five years. Marvel spent the decade integrating the corporate values of its new owner, Disney, into its editorial decision-making to become far slicker, if more divided between nostalgia plays for older readers and squeaky-clean comics for kids. Some reclusive creators produced new work, including Columbia’s Amnesia: The Lost Films of Francis D Longfellow. Some industry stalwarts received long-due accolades, such as Lynda Barry’s MacArthur “Genius” grant. And the decade produced a pile of amazing, beautiful comics, many of them from voices that hadn’t been heard before 2010. Here are my favourites.

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Reading group: Half of a Yellow Sun by Chimamanda Ngozi Adichie is our book for January [31 Dec 2019|02:00pm]

Fifty years after the end of the Nigerian-Biafran war, we’re going to read this modern classic about the conflict

On 15 January 1970, the Nigerian-Biafran war ended. Over two and a half years, there had been more than 100,000 military casualties, with between 500,000 and two million civilians either murdered or dead from starvation. It was a war that involved France, Israel, the Soviet Union and Britain. It was fought over the kind of ethnic and religious tensions that still divide so many of us today, alongside, inevitably, oil. It was a cataclysmic tragedy. And yet, as Chimamanda Ngozi Adichie says, it is a conflict that “we seem determined to forget.” Which makes it all the more important that we should try to engage with her “way of remembering”, Half Of A Yellow Sun.

Published in 2006, when Adichie was not yet 30, this novel is well on the way to classic status. It won the Orange prize for fiction in 2007 and was described by Maya Jaggi here in the Guardian as “a landmark novel” and by Janet Maslin as “enthralling” in the New York Times. It has since sold hundreds of thousands of copies, adapted into a not-entirely-successful film and, just a few weeks ago, made the top 10 in the Guardian’s list of the best books of the 21st century.

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A romance novelist spoke out about racism. An uproar ensued [31 Dec 2019|04:44pm]

Trade group representing 10,000 writers decided to punish author Courtney Milan, prompting a reversal, fierce debate and resignations

For years, romance publishing has been roiled by an increasingly fierce debate over the ways an industry largely controlled by white women has treated authors of color. Now, the romance industry’s largest trade group is facing backlash for trying to formally discipline a best-selling author for calling another author’s book a “fucking racist mess”.

Related: Fifty shades of white: the long fight against racism in romance novels

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