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A Curious History of Sex by Kate Lister review – from blindfolds to bikes [29 Jan 2020|07:30am]

Arousal, adultery and desire … an anecdote-rich chronicle that uncovers layer on layer of oppression

This book contains, as the title promises, many delightful curiosities. There are people, for instance, who get aroused by the sun. “Actirasty”, it’s called, which sounds like a probiotic yoghurt drink but would of course be life-changing if you lived in Málaga. James Joyce used to address his letters to Nora, “dear Fuck Bird”. The ultimate and – implicitly – best euphemism for the word “cunt” is “the monosyllable”.

As late as the 20th century, grafting a monkey’s testicle on to your scrotum was considered a plausible cure for impotence and general sluggishness. As early as 1139, it was signed into canonical law that impotence was grounds for the annulment of a marriage, so you can see why the try-anything approach persisted, when a person could be unmade by physical failure, publicly ejected from the organising bond of society. Dough has reminded humans of sex, one way or another, pretty much since the cultivation of wheat began; any loaf of bread worth its salt was originally designed to resemble either a penis or a vagina. But much of the significance of food, especially in the early modern period, was not its erotic redolence but its mediating role in the bewitchery of carnal urges. So a wife might increase her husband’s ardency by keeping a live fish in her vagina for two days, then roasting it and feeding it to him. Or she might, conversely, set out to kill him by covering herself in honey and rolling in wheat, before grinding the wheat and turning it into bread, which she then fed to him. But she’d have to remember to mill it in the opposite direction to the sun, whatever that means.

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The Secret Guests by BW Black review – John Banville’s royal yarn [29 Jan 2020|09:00am]
From Banville’s alter ego, a novel about the young Windsors being evacuated to Ireland during the second world war

In The Secret Guests, BW Black – AKA Benjamin Black, AKA Irish novelist John Banville – gussies up a wartime rumour of royal jiggery-pokery into a fanciful yarn that has just enough plausibility to see it home. Time was when such speculative mischief might have given them conniptions at the palace; nowadays the royals are surely too busy tearing their own reputation apart to notice a mere commoner having a dig.

The story opens in London 1940 as a young girl at a tall window watches bombs fall over the city. This turns out to be the 10-year-old Princess Margaret (“she hated being 10”), at home in Buckingham Palace. Such is the danger from the blitz that Margaret’s parents decide that she and her 14-year-old sister, Elizabeth, should be secretly packed off to a safe house till the coast is clear. Some bright spark chooses neutral Ireland as their bolt-hole, specifically Clonmillis House in darkest Tipperary, home of their distant relative the Duke of Edenmore.

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Top 10 books about the human cost of war | Maaza Mengiste [29 Jan 2020|12:14pm]

The novelist explains how literature illuminates soldiers’ experience, and how it helped her depict the women who fought Mussolini in Ethiopia

Growing up with the stories of the Italian invasion of Ethiopia in 1935 and Ethiopia’s eventual victory, I did not need much prodding to imagine the conflict. On one side: white-clad Ethiopian soldiers racing down rugged hills with spears or outdated rifles to confront rows of modern artillery. On the other: steely-eyed Italian troops waiting with cannon and tanks, unaware that courage could defeat bullets.

It was not until a revolution tore my country apart that I began to understand how war could render decent people unrecognisable. Only when I had felt real terror did I begin to comprehend the many ways that conflict can devour us without spilling a drop of blood.

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When fonts fight, Times New Roman conquers [29 Jan 2020|01:53pm]

As the classic typeface goes viral on Twitter, writers explain which set of letters they work in – and why it matters

When Times New Roman started trending on Twitter yesterday, the books world began to panic. Had Comic Sans escaped? Had the sans serifs risen up against their pointy overlords and Tipp-Exed them out?

No. The author Sean Richardson had asked the internet to “reveal the deepest part of yourself: Which font and which size do you write in?”, little realising he was about to open a Pandora’s box of preference and prejudice.

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Dispatches from hell: the extraordinary story of the hero who infiltrated Auschwitz [29 Jan 2020|04:48pm]

This week Jack Fairweather won the Costa Prize for his book The Volunteer. It is the biography of Polish resistance leader and intelligence agent Witold Pilecki, who had himself deliberately interned in the death camp

One spring day in 1948, two children were sitting at their school desks in Poland when the tannoy crackled into life to announce that their father had just been executed as an enemy of the state. Andrzej and Zofia Pilecki knew nothing about the mission that had taken their father away from them for most of their childhood. It was only when they were in their 60s, as the iron curtain fell, that the details of Witold Pilecki’s extraordinary second world war mission began to emerge.

Then, in 2012, a British war correspondent who was looking for a new subject after covering wars in Afghanistan and Iraq, stumbled across the story. He discovered that Pilecki, a former cavalry officer, had become a leading member of the Polish resistance – and deliberately got himself interned in Auschwitz so that he could send intelligence to London. He survived that ordeal only to fall into the hands of the Soviet regime, who took possession of Poland in the postwar carve-up of Europe.

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