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Carol Ann Duffy leads British poets creating 'living record' of coronavirus [20 Apr 2020|05:01am]

Major names including Imtiaz Dharker, Jackie Kay and father-and-son poets Ian and Andrew McMillan to document outbreak in verse

Carol Ann Duffy has launched an international poetry project with major names including Imtiaz Dharker, Roger McGough and Ian McMillan, as a response to the coronavirus pandemic.

The former poet laureate hopes the project, entitled Write Where We Are Now, “will provide an opportunity for reflection and inspiration in these challenging times, as well as creating a living record of what is happening as seen through our poets’ eyes and ears, in their gardens or garrets”.

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The Trick review - William Leith on how to make a packet [20 Apr 2020|06:00am]

The journalist and writer turns his stream-of-consciousness style to a question that has always niggled him – why isn’t he rich?

William Leith’s primary subject has always been appetite, and its close cousins compulsion and obsession. He first explored these themes in his newspaper columns, stagily self-absorbed fragments of a hungover life, and subsequently in two addictive books. The first, The Hungry Years, set his own capacity for excess – in food and drink and drugs – against a culture high on consumption; the second, Bits of Me Are Falling Apart, was a sometimes poignant, always curious, mediation on mortality, the consequences of that binger’s lifestyle. Both books were revelatory and funny, and dramatised their own premise way, way too much.

The Trick takes all of Leith’s writing habits – his mazy streams of consciousness (few writers are quite so enamoured of, or good at, watching themselves think) and his love of axiom – and, if anything, ups the ante. His subject here, is one that has always nagged away underneath his tales of excess – if he wants so much, why has he often been so profligate in his attempts to get it? Why has he been unable, that is, to accumulate wealth rather than debt?

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Poem of the week: Safe Houses by Bernard O’Donoghue [20 Apr 2020|09:57am]

Wondering where the house keys are sets off a chain of associations leading to a much larger question

Safe Houses

I find that I have started recently
to keep spare keys to the front door
in several pockets, such is my fear
of being locked out. Caught by the wind
the door could shut quietly behind you,
leaving you to face the outer world alone.
Once safe inside I don’t put on the chain.

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International Booker prize postponed due to coronavirus [20 Apr 2020|11:49am]

Publishers of novels shortlisted for the £50,000 prize appeal to organisers as book sales take a battering under lockdown

The six authors up for this year’s International Booker prize will have to wait a little longer to find out who won. The announcement has been postponed until the summer due to the severe impact of the coronavirus outbreak on book sales.

The winner of the £50,000 award for the best novel translated into English, shared equally between author and translator, was due to be announced on 19 May. But prize organisers say that the announcement of the shortlist on 2 April exposed the difficulties that readers were having getting hold of books during the lockdown.

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My favourite book as a kid: Mister God, This is Anna by Fynn [20 Apr 2020|12:00pm]

Rhik Samadder is still moved by the story of a precocious foundling and a teenager exploring London’s East End and spiritual life

Funny, how rereading a book means turning the page back to an earlier self. Not funny ha-ha, I admit. But the art that has great significance to us is not necessarily either great or significant, and this week I was intrigued as to whether my childhood favourite had stood the test of time.

Mister God, This Is Anna (1974) portrays the relationship between a young man and a precocious foundling in London’s East End in the years preceding the second world war. It’s a vivid world of trams and barrow boys, cafe-frequenting matelots, street philosophers circling braziers by night, and sex workers described as the most beautiful women in the world. Working class, vibrant and kind, it still feels like a fairytale with no villains. The pared back, yet voluptuous line drawings of illustrator William Papas had stuck in my head too, and these came tumbling back with familiarity. I remembered the author’s name being a single word, Fynn – a pseudonym for author Sydney Hopkins – but I didn’t know what that was as a child. It felt appropriately simple for the book, as if it had always been.

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Yuval Noah Harari: 'Will coronavirus change our attitudes to death? Quite the opposite' [20 Apr 2020|01:00pm]

Will the coronavirus pandemic return us to more traditional and accepting, attitudes towards dying – or reinforce our attempts to prolong life?

The modern world has been shaped by the belief that humans can outsmart and defeat death. That was a revolutionary new attitude. For most of history, humans meekly submitted to death. Up to the late modern age, most religions and ideologies saw death not only as our inevitable fate, but as the main source of meaning in life. The most important events of human existence happened after you exhaled your last breath. Only then did you come to learn the true secrets of life. Only then did you gain eternal salvation, or suffer everlasting damnation. In a world without death – and therefore without heaven, hell or reincarnation – religions such as Christianity, Islam and Hinduism would have made no sense. For most of history the best human minds were busy giving meaning to death, not trying to defeat it.

The Epic of Gilgamesh, the myth of Orpheus and Eurydice, the Bible, the Qur’an, the Vedas, and countless other sacred books and tales patiently explained to distressed humans that we die because God decreed it, or the Cosmos, or Mother Nature, and we had better accept that destiny with humility and grace. Perhaps someday God would abolish death through a grand metaphysical gesture such as Christ’s second coming. But orchestrating such cataclysms was clearly above the pay grade of flesh-and-blood humans.

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Tips, links and suggestions: what are you reading this week? [20 Apr 2020|02:00pm]

Your space to discuss the books you are reading and what you think of them

Welcome to this week’s blogpost. Here’s our roundup of your comments and photos from the last week.

First, a reflection on our times from Hedgehogtrotting2, who has been reading The Joy Of Snow by Elizabeth Goudge:

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‘This is beyond the Great Depression’: will comic books survive coronavirus? [20 Apr 2020|04:37pm]

As Marvel cuts staff and publishers stop selling new titles, artists, shop owners and writers worry for the future of an industry worth billions

There are no new comic books. Steve Geppi, head of Diamond Comic Distributors, which distributes nearly every comic sold in the anglophone world (or used to), announced this on 23 March, though senior industry figures already knew what was coming. The coronavirus pandemic had sunk retailers deep into the red. They couldn’t pay their bills to Diamond or rent to their landlords, because they hadn’t made any sales. “Product distributed by Diamond and slated for an on-sale date of 1 April or later will not be shipped to retailers until further notice,” Geppi wrote.

If shops can’t pay Diamond, Diamond can’t pay the industry’s constellation of comics publishers, who then can’t pay artists, writers, editors and printers, who now can’t pay their rent or credit card bills – or buy comics. Sales of comics, graphic novels and collectibles distributed by Diamond were $529.7m (£462m) in 2019 – a huge number which suggests that a months-long gap between issues of Batman, Captain America and Spawn will stretch into tens of millions of dollars in lost revenue. (Though Diamond plans to start shipping comics to shops again on 17 May, many around the world will still be in lockdown then.)

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‘This is beyond the Great Depression’: will comic books survive coronavirus? [20 Apr 2020|04:37pm]

As Marvel cuts staff and publishers stop selling new titles, artists, shop owners and writers worry for the future of an industry worth billions

There are no new comic books.

Steve Geppi, head of Diamond Comic Distributors, which distributes nearly every comic sold in the anglophone world (or used to), announced this on 23 March, though senior industry figures already knew what was coming. The coronavirus pandemic had sunk retailers deep into the red. They couldn’t pay their bills to Diamond or rent to their landlords, because they hadn’t made any sales. “Product distributed by Diamond and slated for an on-sale date of 1 April or later will not be shipped to retailers until further notice,” Geppi wrote.

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