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The Covid-19 Catastrophe; Covid-19: The Pandemic That Never Should Have Happened – review [22 Jun 2020|06:00am]

Richard Horton and Debora MacKenzie denounce the complacency of the government in their differing studies of Covid-19’s impact on the UK

On 3 March, Boris Johnson cheerily told viewers tuning into a government press briefing on coronavirus that Britain was “extremely well prepared” for an outbreak of Covid-19 and that he saw no reason to stop shaking hands. Seven days later, ministers gave the go-ahead for the Cheltenham festival, an event that saw 250,000 racing fans congregate in Gloucestershire for four days and which, it is now thought, greatly ramped up transmission of the virus at precisely the time Britain should have been locking down tightly. Yet it was only on 23 March that Johnson announced strict social distancing measures and a further week before the government settled on the message “Stay home, protect the NHS, save lives”. The result, at time of writing, is 40,000 coronavirus deaths in Britain and more than 60,000 excess deaths, the highest of any country in Europe.

How did Britain come to occupy this unenviable position and why, given that we had three months to prepare for the onslaught on our hospitals and care homes, did scientists who advise the government not raise the alert level sooner? Was it because of a misguided sense of British exceptionalism and Brexit-fuelled hubris? Or did scientists and politicians think they were dealing with a type of flu, rather than a novel, bat-derived virus against which no one in the world had immunity? And what explains the failure of other western nations, with a few notable exceptions, to adopt the “test, track and trace” formula applied with such success by South Korea and other Asian countries? 

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The Summer of Her Life by Thomas von Steinaecker and Barbara Yelin – review [22 Jun 2020|08:00am]

The emotional memories of an elderly German woman are brought vividly to life in this quietly moving graphic story

In books, people don’t wear masks – or not yet. All the same, as I turned the pages of The Summer of Her Life, a graphic novel set largely in a care home for elderly people, I had the strangest feeling it must be some kind of publishing miracle: a comic written, drawn, edited and now published entirely during the lockdown. Crikey, but it’s prescient. At a time when the old have never been more vulnerable and, in many cases, lonely, here is a befitting reminder that the frail souls you see sitting in a semi-circle in a day room on the TV news, their eyes distant and their hair like candy floss, do not necessarily feel as you think they look. Somewhere inside, they’re all the things they used to be: young, ambitious, just about to fall in love. 

Gerda Wendt, the story’s unlikely heroine, is so debilitated these days, she sometimes struggles even to raise her arms for her daily flannel wash. To move from bed to window, she requires a walker; to make journeys any further afield, she cannot do without a wheelchair. But her mind is beautifully intact. Unlike some of her fellow residents, men who are mostly quite content to watch repeats of crummy TV dramas (so long as the girls are pretty), she would rather scroll through her memories, back to her girlhood and forward to her middle age. How, she wonders, did she get from A to B? Was her life well-lived? In her salad days, self-doubting and impulsive, she chose love over her career, her passion for a musician called Peter triumphing over her passion for astrophysics – and she worries away at this now, a process that is sometimes delicious (here she is, in bed with him all over again) and sometimes painful (sudden betrayal is piercing even remembered at a distance of half a century).

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