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I've lost my bank card tadavar mg When I was running the National Theatre someone said to me "Oh, of course, you only put on hits." I wish. What the statement implies is that there's a kind of second–guessing that goes on, that you decide in bad faith to put on plays because they'll be successful rather than good. The NT – like all other theatres that receive state subsidy (now only 20 per cent of the NT's income) – has no right to fail; rather, it has a right not to have to succeed every time. It's in that grey area between triumph and catastrophe that the hidden riches of the theatre lie. Writers, actors, directors, designers – and audiences – get the chance to experiment and take risks and to learn without the penalty of defeat that marks any enterprise in the commercial theatre that fails to hit its financial targets.